High in her mountaintop retreat, The Zen Cinephile sips her herbal tea.
Today, she feels a pull toward the humor and satire of the 1980s. In preparation, she meditates by her garden of wildflowers, clearing her mind of modern distractions and letting herself drift into the absurdity and charm of a bygone era.
With her mantra in place—“See the sublime in the absurd and the profound in the playful”—she begins her journey.
Down and Out in Beverly Hills (1986)
“A comedic reflection on excess and the healing power of connection.” The Zen Cinephile is charmed by Nick Nolte’s soulful portrayal of a man who inadvertently heals a fractured family with his honesty and vulnerability.
The film’s satire of wealth and materialism resonates deeply with her. “This movie teaches us that the walls of privilege can only be dismantled through empathy, humor and diving into a pool with all your clothes on,” she reflects, savoring its balance of absurdity and sincerity.
“Chevy Chase’s wit is as sharp as a Zen master’s koan.”
She delights in the quick-witted humor and suspense of Fletch, applauding Irwin M. Fletcher’s ability to navigate chaos with charm and cleverness.
“Life, like a good disguise, is about adapting,” she muses. For her, Fletch is more than a comedy—it’s a lesson in maintaining composure and humor when life throws its curveballs.
As the credits roll, she finishes her tea, feeling the warmth of these 1980s gems. She smiles, knowing they’ve reaffirmed her belief that even in the ridiculous, there is wisdom.